I kinda forgot, yesterday, to mention some of the albums that didn't quite make it. This year felt like the spectrum of what is 'popular' expanded just a little bit further. Flying Lotus put out a far-out album that got a lot of critical acclaim. I'm not a big fan but I can appreciate its artistic merit. Lots of 'alternative hip-hop' ended up on best-of lists, and some 'neo-soul' albums. The new D'Angelo has been making waves recently, again not really my thing, but whatever floats your boat.
Once again it felt like there were a lot of really good albums, but nothing that came off as an instant classic. That's not necessarily a bad thing, but it's worth considering as we venture further into the digital age where kids all over the world have virtually free exposure to, well, everything ever. Who will be the next great genre definer?
I digress. Taylor McFerrin, son of Bobby, put out a really impressive debut LP. Other stand-outs that were close, but no cigar, included (but not limited to) Glass Animals, FaltyDL, Beef Terminal, The Juan MacLean, Badbadnotgood, and Tom Petty. Special mention also to Apollo Brown who dropped an awesome collection of hip hop beats that I couldn't quite squeeze in. I enjoyed the new Joris Voorn album, and James Curd's funky house grooves on "Damage Is Done" was my favorite EP that didn't make my charts. So there you have the honorable mentions. Now back to the headliners.
Once again it felt like there were a lot of really good albums, but nothing that came off as an instant classic. That's not necessarily a bad thing, but it's worth considering as we venture further into the digital age where kids all over the world have virtually free exposure to, well, everything ever. Who will be the next great genre definer?
I digress. Taylor McFerrin, son of Bobby, put out a really impressive debut LP. Other stand-outs that were close, but no cigar, included (but not limited to) Glass Animals, FaltyDL, Beef Terminal, The Juan MacLean, Badbadnotgood, and Tom Petty. Special mention also to Apollo Brown who dropped an awesome collection of hip hop beats that I couldn't quite squeeze in. I enjoyed the new Joris Voorn album, and James Curd's funky house grooves on "Damage Is Done" was my favorite EP that didn't make my charts. So there you have the honorable mentions. Now back to the headliners.
#18
Smashing Pumpkins
Monument To An Elegy
This one kind of came out of nowhere for me. I wasn't expecting its arrival, particularly after the bizarro "AEGEA" vinyl that Billy Corgan put out earlier in the year, but it turned out to be a pleasant surprise. It's fair to say that Corgan is a bit out in space these days. Well, maybe that's not fair to say, it's not like he hasn't always been there, and then again aren't we all a little bit? Anyway thankfully this album did not sound like that pre-recorded noise, it sounded like a rock album.
I might come back later on and think I rated this too highly. There's some valid criticism being throttled at it. It's real short, like barely over a half hour, and a couple tracks are a little on the synth-pop side of things, but I still dig it. The songs that rock, really f'in rock. Tiberius rips the album into life and sounds almost as good as anything the Pumpkins have ever put out. It's interesting to note that the band is basically just Corgan these days. He even brought in Tommy Lee to play drums on the record. Anyway check it out. You might not be as impressed with it as I am, and I'm perfectly ok with that. It's a free country. Not everyone was born to rock.
One And All
Anti-Hero
Tiberius
#17
Tensnake
Glow
I like disco. There. I said it. If you've been following the blog at all, or even just my year end lists, you'll be well aware of that by now. Not that this is pure disco, it's not, but there are a lot of elements that certainly feel like it. This album is sort of this year's Disclosure, only not quite as big, and maybe mixed with some Classixx. It's just a helluva lot of fun. The production is slick and bouncy, and the choice of guest vocalists sounds spot on wherever it's called for.
It's not easy to put out a dance record these days. Most people throw out EPs or singles, so I feel like you have to laud a good one when it comes around, and this one is really good. At least a half-dozen tracks are killer singles in their own right, and there isn't any jarring issues with the song order. Even though it spans genres, it flows like an album should. I give it two thumbs up. Throw it on your favored portable music device and do some dancing in the street.
Feel Of Love
58 BPM
See Right Through
#16
Ought
More Than Any Other Day
Eight tracks is all we get on this album, so savor every little bite. There's a good chance you've never heard of them, unless you've got your ear to the hipster wheel, but that's ok. Now you have. They're young fellas from Montreal who sound a great deal like the Talking Heads, and probably a little Velvet Underground mixed with Battles. It's pulsing, groovy, trippy madness and it's super fun to rock out to.
For a debut it's massively promising, but also kind of scary. They could descend further into madness, in fact they should, and who knows what they might churn out. Can they reach the heights of their esteemed forefathers, or will the flutter into obscurity? Does it even matter? Does any of this matter? Have I eaten too much turkey? Get the damn record. Thank me later.
For a debut it's massively promising, but also kind of scary. They could descend further into madness, in fact they should, and who knows what they might churn out. Can they reach the heights of their esteemed forefathers, or will the flutter into obscurity? Does it even matter? Does any of this matter? Have I eaten too much turkey? Get the damn record. Thank me later.
Today More Than Any Other Day
Habit
Pleasant Heart
EP #6
Louis La Roche
Dusty Cassette
Louis, aka Brett, maintains his #6 spot on the EP charts with another French disco house special, only this time he juices that classic '80s synth soul ballad sound to maximum levels. It's got huge, ubersaturated, chunky bass goodness that just makes you want to groove. At just over 20 minutes you can get through it on the way to the grocery store, or maybe on a short bus ride. He's taken that old beat up tape deck and given it a fresh coat of dust, and it works perfectly.
Wondering
Ghost
The Way She Makes Me Feel
Part threeeee tomorrow, but first - Hobbits!
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